#or if they just bring out the worst of themselves out of spite in the others presence | Explore Tumblr posts and blogs

mikaela-the-slut-expert · 7 months ago

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If you do take requests at this moment, can I request a Hualian x GN reader where reader feels like the third wheel, and when Hualian look further into reader, they find out that reader is hurting themselves/trying to change in the way they look

That Hualian would baby reader, like take sharp objects out of arm’s reach, or spoon feed reader when it’s time to eat. Giving reader kisses and words of affirmation every time they’re around

Lol, I’m feeling very angsty, but if this request is a little too far, you don’t have to do it (I hope you’re doing great! Make sure to drink enough water!) 🥰

Shape Shifting Heart

HuaLian x gn!reader

Ignore grammar mistakes

Slight OOC

Made up looks about reader for plot

Tyyy Pepsi zero has become my hydration 😔🙏

Also I'm so sorry for disappearing but I've had like the worst few months of my life ever so 😃🙏 bear with me

____________________________________

Being with Xie Lian and San Lang is the best thing that has ever happened to you. There's so much love to go around with three people and everyone is always taking care of each other! So you never listened to people being hateful about it, whether that be other gods or ghosts. You guys are happy and that all that matters right?

What happens when all of you aren't happy, when it's just one person bringing down the mood and the whole relationship? That's how you've been feeling lately. You haven't been much use to Xie Lian and San Lang these days. Often, you've been curled up in bed and staying hidden under the covers. For what reason? They don't know. You won't talk to them, and while Xie Lian and San Lang pride themselves on knowing you inside and out they can't figure out what's wrong.

You can't tell them. It's kind of embarrassing, humiliating even. How do you tell your lovers, "I feel like the third wheel, I feel neglected and left out" to the two kindest people you've ever met. Everything you do seems to make it worse and you're trying your best so you don't understand why it seems to put your relationship more on edge.

You had honestly just wanted to sulk and pout for a few days in bed over something silly. When they stopped visiting the bedroom it became a problem. All you do is lie here so what could possibly have made them want to leave you alone? You aren't even doing anything to warrant them off! Xie Lian and San Lang easily coddle each other all the time so why don't they think to do it with you? They stopped coming to the shared bedroom, even going as far to sleep in another bedroom together, but by themselves without you.

It only made you feel worse, are you so depressed and off putting they don't want to be near you now? Sadness becomes frustration and it fuels you to get out of bed in what has been weeks. You leave the room disheveled and groggy hoping to find one of your lovers to receive some affection, to you it feels like you haven't had in forever.

You find them together in the kitchen, an awfully domestic scene. Xie Lian cooking dinner and San Lang attached by the hip. The way San Lang holds Xie Lian's waist and stays close while Xie Lian bustles around the kitchen. Where you had once been and would usually love to hear the sound of their laughs and love filled giggles all it sounds like is mocking joy of what you once felt. How many nights has it been like this? How many nights have they been content without you?

"Making dinner without me?" You pipe up, leaning against the kitchen counter. Making dinner is a silly thing to be upset about. A part of you feels awful for being so jealous but the other doesn't. It's not like you're jealous of San Lang or jealous of Xie Lian. You don't spite a specific person. You're just jealous of the love they share, of their bond. You're envious of their happiness, you just want to be included too!

"Ah, y/n!", Xie Lian gives a wobbly smile, "Of course not" Xie Lian didn't know how to bring up that they've been trying to give you space. He doesn't know how to say it in a way that would sound reasonable to you. These days you've been a little irritated and you easily take words they say but add a whole new meaning to it. They know it's not your fault, it's one of your episodes maybe.

No one moves. They don't know whether to extend a hand to invite you or not but you seem to take it upon yourself. You walk closer and stick right up to Xie Lian's and San Lang's side. The tension - you can't tell if you're imagining it or not, you've been imagining a lot these days - is thick. "Well I feel a little better so I'll join from now on, what are you making?" You try to make conversation, you try to move closer in hopes that the domestic scene will just continue.

It doesn't. The room is tense and so are your lovers. You hate it. It makes you want to lash out, cry, and scream. Xie Lian and San Lang seem to be walking on eggshells around you and you don't know why. You've never gotten angry with them before, you've never been violent or aggressive with them so why are they acting like you're a ticking bomb?

San Lang attempts to break the tense atmosphere first. Wrapping hesitant hands around your waist and nuzzling into your hair, hair he will not mention is a bit notty. "We missed you" he murmurs into your long, bright locs. "We're glad you feel better" this seems to get the night moving smoothly again. It's pathetic how quickly you melt into San Lang's touch and preen at his words. It finally feels like you're included in the domestic picture they make.

The three of you eat dinner and enjoy it, Xie Lian's cooking has been getting a lot better but that's probably because you and San Lang were in the kitchen to help him. You're filled with a deep satisfaction when Xie Lian gently grabs your hand and all of you go to your shared bedroom together. Xie Lian pulls you into bed and They cuddle up next to you under the covers, placing gentle kisses on your face and shoulders.

You feel suddenly energetic because of the affection you're receiving. Making you giggle and kissing them back with new found passion. You won't lie you guys haven't had sex in a while so. . . You easily climb on San Lang, and straddle his hips. Kissing him eagerly and nipping against his lips. They weren't expecting you to be so eager but who are they to deny you.

Xie Lian gets behind you and slips off your robe, running his hands over your body. Your back, arms, hips, and thighs- your thighs. Xie Lian's hands freeze, and moves his hands as if he's been scalded. The sudden movement catches San Lang's attention and he sits up but he keeps you in his lap. "Gege what's wrong?" San Lang stares at Xie Lian and suddenly all the attention is off you. Somewhere inside you, you feel a little miffed at Xie Lian's reaction.

But you're concerned too so you turn your head to your other lover with concerned eyes, however Xie Lian is the one staring at you with pity. He turns on the light and sits next to San Lang. "His thighs, San Lang. . ." You scrunch your face. Of course that's what Xie Lian reacted so strongly about. While you were rotting in bed you were feeling so down in the dumps. So- so maybe you took it out on yourself and used your sword on your own skin.

It's not that big of a deal, they're already healed and just remain thick scars across your thighs but it matters to your lovers greatly. They've explored your body many times, and they know these are new. "Baobei, what happened?" Xie Lian cups your face with gentle hands but you turn your head the other way. You're irritated the night has stopped over something so trivial. "Nothing important, I was just feeling upset a few weeks ago, it's trivial now. Can't we just- can we not focus on that?"

Your face is scrunched in irritation and you try to roll your hips against San Lang but he removes you from his lap and onto the silk covers. You groan in frustration. The night was going perfectly and now it's all messed up! San Lang's eyes narrow as he gazes over your legs, and you swallow nervously. "This isn't something we can just ignore Y/n. You know that. . . Let's stop here for tonight" If it were San Lang saying it you wouldn't have minded as much but it's Xie Lian.

Xie Lian loves San Lang's body even with the scars on it so why won't he love yours?! "We don't have to stop! Just- ignore it, would you please?! I can get rid of them, I can look like whatever you want me to be! " You never notice when you start heaving for breath, when tears line your eyes and you try to cling to one of your lovers. You don't notice when you subconsciously change your body into something else because it's something you've always had the power to do.

So when your skin becomes smooth again, and unmarked it's something you don't even look over. But for Xie Lian and San Lang it's completely different. It's like looking at a stranger's body. Like looking at somebody who's never worked a day in their life, someone who has never gone to battle, something you are not but you're desperately trying to be. You have no scars, and the callouses on your hands have disappeared. They've memorized everything on you and now you've made yourself look completely different.

To you, it feels like they look at you with disgust and anger. You're breaking down and it's not something you're even registering. "Y/n stop!" San Lang gives up on keeping you on the bed and he lets you crawl into his lap, he cups your face with surprisingly gentle hands that contradict his angry voice. "Breathe Baobei" he rubs comforting circles into your hips and Xie Lian rubs your back. They're trying to get you to breathe and to stop hyperventilating.

San Lang never looks away from you, and he plants tiny kisses in your cheeks to get rid of your tears. When did you start crying? You don't remember. You eventually calm down from listening to your lovers instructions and their loving touches. When you're finally breathing normally again and the tension leaves your body they try talking to you again. Xie Lian rubs his fingers through your hair, he doesn't like how you've easily changed yourself. He misses your bright locs not the dark ones you've decided to take on. He kisses your head. "I want to talk to my Y/n now. Can I?" Xie Lian asks sweetly.

You've always been you but he wants to talk to his lover not the made up version of yourself. You sniffle and San Lang pats your waist. You take the encouragement and change back to your original body. When you make a weird noise in your throat that sounds close to a sob Xie Lian wraps around you and kisses your nape. "That's good Baobei, we're proud of you." San Lang and Xie Lian glance at each other and in that moment decide to drop the topic about your new found scars. They can only try to find the root of the issue now.

San Lang kisses your forehead and then below your eyes and then your lips. "Tell us what's wrong?" San Lang poses it as a question. As in, you don't have to but it would greatly help them if you did. You feel pathetic and selfish. You don't know why you broke down over something so silly and foolish. "I-I felt, I felt like a t-third wheel. You guys seem so happy without me and all I do is mess up, I'm sorry " you start to cry again and you rub at your eyes harshly but San Lang holds your wrists gently and keeps them away from your eyes.

Xie Lian kisses your shoulder. "There's nothing to be sorry for baobei. No one's at fault." He runs his hands over your thighs, making circles with his fingers. "We didn't mean to make you feel left out, we just wanted to give you space. We thought that's what you needed" Xie Lian explains softly. You nod and sniffle. That's more reasonable than whatever your mind came up with. San Lang pulls you closer by the waist. "If we make you feel like that tell us Baobei, we'll fix it immediately" he says with narrowed eyes. You know he isn't upset with you and he's probably beating himself up for not being able to tell. You kiss him deeply and sigh against his lips.

"M'sorry, I know you love me I just- my mind tells me awful things." You whisper in San Lang's lips and kiss him again. San Lang grunts and playfully tugs a piece of your hair. "Should I beat it up for you?" It makes you giggle.

🦊🪷

For the next few days and even few weeks they baby you endlessly. Xie Lian keeps an eye on sharp objects and makes sure you can't get into the weapons room. He also confiscated your sword and he won't even let you hold knives in the kitchen. The only sword you're allowed to be around is E'ming and they know you wouldn't do that to him or San Lang.

They have no problem with dragging you everywhere they go and often San Lang likes to feed you during meals. At first you blushed and insisted you could do it yourself but San Lang waved your concerns away and said "Let me take care of you". They coddle you a lot and one of them is always in the room with you. You know now that you need to work on your communication and not let your mind get to you. It was a big misunderstanding but San Lang and Xie Lian treat it as if it was a genuine problem.

You're suffocated with love but you wouldn't change it for the world.

#tgcf #tgcf headcanon #hualian #hualian x reader #hua cheng x reader #tgcf hua cheng #tgcf hualian #tgcf x male reader #tgcf xie lian #xie lian x reader #mxtx tgcf #tgcf angst

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animeyanderelover · 11 days ago

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This will be my first request, I am very happy because I LOVE your writing.

Alas aside, Yandere falls in love with a woman older than them who is very maternal for having a child, when he proposes she rejects him because she feels that they should not waste themselves on a woman who already has a child (You can do with the father whatever you want ).It would be with Atsushi, Akutagawa, Daichi Sawamura, Oikawa and if you want to add any more I don't mind

Sorry for my bad english😘😘

Tw: Yandere themes, possessive behavior, obsession, delusional behavior, clinginess, manipulation, stalking, threats, violence

Tags: @shumidehiro @leveyani

You shouldn’t waste your time on me

Sawamura Daichi

🌅Cries of a small child are what guide him through the crowds on that day, his eyes flickering over the people before they finally land on the boy who is standing there all alone. Upon asking him what happened the child tells him that he got distracted and lost his mother. As not only a police officer but also a decent human being Daichi immediately helps, asks the boy where him and his mother were last together and if he knows where his mother planned to go. If worst comes to worst and he won't be able to find the boy's mother he'll just ask the boy where he lives and will bring hm home to wait together with him until his mom returns. Luckily it never comes that far as Daichi is able to find you after half an hour of searching, the boy instantly leaving his side and running to you with tears in his eyes. He's far too humble in your eyes as he is confronted with your gratefulness, tells you that he only did his job and that anyone would have helped a crying child. Still, you make some small talk with him as you ask for his name and both of you start talking for a while with each other. That's how he finds out that you recently moved to the Miyagi prefecture with your child and live close to his neighbourhood.

🌅The fact that he doesn't live far away from you and that he helped your child are major reasons that aid the two of you in getting so close to each other. Also, your son's dream is it to work for the police later on so he obviously views Daichi as his hero, something that flusters the man deep down a lot more than he shows. He visits you once a week when he has a free day, often bombarded with questions from your son about his job until you softly chide your child for his uncontrolled excitement. You admit to him relatively early that you moved here because your husband died and your parents live nearby as you also need to work and need someone to look after your son. Hearing that your husband died strangely enough makes more sense to him than if someone would have divorced you as only an ignorant fool would have let someone like you go. Daichi is not even going to deny his own feelings, he knows that he's extremely attracted to you. You're kind yet not too coddling, you're responsible and patient, you listen to the worries of others and are always willing to help where you can. Watching you raising your son sometimes reminds him of his high school days, a fond look on his face.

🌅Daichi is able to stay patient in spite of his obsession, especially if the loss of your husband has been very recent. He gives you time, he allows you to grieve and focuses in the meantime on helping you and your child to integrate into the new city. The thing is that he fills that role of a supportive husband and father so nicely that neighbours and even your own parents and son can't help but support the two of you getting together. When you reject him he is a bit disheartened but he takes it really well because he realises that you didn't do so because you do not love him. You reject him because you feel not good enough but that in itself is still quite hurtful. You're such a wonderful person after all. He doesn't mind the little age gap nor does he think of you less because you have a child. In fact he's grown very fond and protective of your son who you have raised wonderfully. Still, it's wiser to not pressure you so he steps back for now. His confidence remains though, knowing that you didn't deny not being able to see him as a partner. He'll just stay in your life as a pillar of support for now and will slowly make you realise that you are everything but a waste to him.

Oikawa Tooru

👑After a difficult divorce you make the decision to completely change your life and decide to try to reach for a dream you had when you were younger but gave up later on, deciding that you might not make it. It's better to try and fail then to never take the step. After many months of interviews, exchange of mails and documents you receive the news though. You did it. You're one of the managers for your favorite volleyball club, Club Athletico San Juan. You're so joyous, almost feel like a school girl all over again as you read the letter over and over again, kicking your feet and grinning like an idiot. Oikawa is still Oikawa even if he is by now an adult, his charming attitude still there as soon as you're introduced to the team as their new manager. His other teammates just watch with half amusement and half pity as Oikawa's charm ultimately never works. Sure, he manages to charm people quickly but he never manages to hold a relationship and they would hate for their setter and new manager to be on bad terms from the very start. You, with the divorce still freshly on your mind though, put your foot firmly down and clarify it to Oikawa very clearly that you have no intention of dating.

👑Obviously Tooru is miffed about your blunt rejection yet another part of him can't help but respect your determination. You know what you want to focus on and he wants to acknowledge that, especially since he is essentially the same. The keyword here is want because who would have thought that his feelings would slip out of his grasp of control so quickly? You know when to put him and his childish antics in his place, chiding him almost as if he were a child and the experience feels only more realistic when he realises that you're a few years older than he is. The fact that you work so closely with him only enables him to be very overbearing as he dreams up all kinds of minor inconveniences so that he has something to complain about to have your attention on himself. Your daughter is a shocker as you have never talked about your private life before and whilst other players gush over your child he gives her a strange look at first, his mind trying to process what it could mean. He pesters you privately about it, his eyes desperate and his body tense. The tension leaves his body at least partially when you admit with a heavy sigh that you had a rough divorce before you started working here.

👑Oikawa doesn't take the rejection very well, his heart dropping even though it doesn't have to do with the fact that you don't see him that way. Still, it is hard to stay logical with a heart as sensitive as his, especially since he is prone to being delusional. He just doesn't understand. What is it that he could have done better?? He has made it more than obvious that he is deeply in love with you. He's showered you in presents, constantly demands your attention and has even made the effort to get closer to your daughter despite initial caution he held. Is that still not enough?? What do you want him to do?? Please tell him what he as to do in order for you to accept. Honestly, your maternal instincts will come quite in handy as you're confronted with Tooru whilst his feelings threaten to burst out of him. Because it helps him to calm down and gives him the reassurance he so desperately craves from you in that moment. Nevertheless though, he ramps up his affection from a 10 to an 11 after that incident. If the problem is simply that you don't feel good enough he will change your mind. You're forgiven this one time. Do not reject him a second time though or else he might just make your job more difficult.

Nakajima Atsushi

🐅The gentle love of a parent is a notion so foreign to Atsushi that the first encounter he has with you leaves him almost on the edge. Your kind words, the patient look in your eyes, the warmth and comfort you provide him with by simply being in the room threatens to burst his heart right at the seams. After cold deprivation for as long as he can remember your presence feels like being drowned in a bathtub filled with hot water. It's overwhelming almost, scorches his skin yet he gladly submerges himself in the heat and the sensations that come with it. He's almost immediately infatuated with you, finds himself yearning for your affection in his dreams as well as in the real world. The age difference is something that weights on his soul though as he realises how experienced you are and how clumsy he seems to be in comparison. There's a lack of knowledge with certain machines or customs that he hasn't been exposed to due to his time in the orphanage but he is always too ashamed to tell you about it. Adamant to not let himself look like a young fool in front of you, Atsushi simply refuses to ask for help or advice from you. He wants to prove to you as well as himself that he can provide for you.

🐅As shameful as it is, there is an undeniable twinge of jealousy directed against your own child. He envies the little boy for being able to cling to you as often as he does as those are all things Atsushi desperately wishes to do as well. He wants to be held, comforted and loved by you too but he could never admit such things as he stares at your son. What would you think of him after all if he were to confess to you that he feels jealous of your own child? It doesn't stop him from clenching his hands into fists every time he witnesses you giving affection to your son, nails turning into claws as he imagines what it would be like if he were to be the one in your child's position. You and your husband have parted ways a few years ago but you still keep in contact due to the child and that just about kills Atsushi. It takes always more willpower than it should to not outright growl at the man whenever he visits. Atsushi can't even fathom how a man could let someone like you go and occasionally he imagines what it would be like to just tear that man apart whenever his jealousy gets the better of him. Chances aren't exactly zero for Atsushi to confront your ex-lover and accidentally kill him during an argument.

🐅The beast within him tries to tame itself as good as it can for you even if results are mixed. With time he grows closer to your child though he struggles to be a parent for the little boy as he more than once acts just as childish and needy. Still, he does his best to show you that he can protect and provide for you and your child all whilst seeking emotional comfort from you. It has taken him a good chunk of courage to finally confess to you only to be met with a direct blow to his heart. The shock of your rejection numbs him for a few seconds before the weight comes crushing down. He hyperventilates, he cries, he bites his bottom lip bloody and his nails threaten to rip through the skin of his palms. That is only because he does misunderstand your rejection as you telling him that you have no interest in him. Once he has come to understand that you didn't reject him for that reason hopefully he manages to calm down at least a bit. That means that he still has a chance, doesn't he? Still, he feels like it's his fault for not having made it clearer to you just how deeply infatuated he is with you. That has to change now. Hopefully some of his seniors can give him useful tips how to woo you.

Akutagawa Ryunosuke

⬛It is through Gin that Akutagawa finds out about you as his beneath the mask quite shy sister has befriended you and finds herself visiting your small shop once a week. Whilst he is anything but an overbearing brother this piece of information still manages to stick to him. It's the first time he has heard that Gin has made friends with someone outside the Mafia and initially he starts directing hostility against you. Akutagawa isn't an individual to trust easily as he distrusts with far more confidence and this is what he finds himself doing against you. Who are you? Are you really just a regular citizen? His sister assures him that you are not some spy nor does she plan to give you any information about the Port Mafia or her real identity but for Akutagawa actions speak louder than words. He finds himself stalking you occasionally, dark eyes trailing after you. A scoff appears on his face the moment he notices the boy following you, realising that you have a child. How naive you must be, keeping a child whilst involving yourself with a mafioso. If you really are just a normal person you must have no motherly senses at all or else you wouldn't hang out casually with Gin.

⬛Akutagawa never had a mother who raised him as he has grown up in a violent environment from a very young ago. None of his mentor figures have ever given him even an ounce of affection which has led him to believe that love is a weakness. A weakness he has fallen victim to. A part of him itches to use Rashomon to tear you and that little brat apart yet he holds himself back. Partially because his emotions are messy and partially for his sister's sake as she cherishes you. It's Gin he turns to as his curiosity grows and it is through her he finds out most information about you. The most pressing issue for him is who the father of your son is and even if Gin tells him that you have parted with the guy long before your child was born that doesn't stop Akutagawa's urges to rip that man apart for his mere existence. Stalking you becomes quite difficult, his possessive side flaring up the moment you talk to another man and give him a smile. It's the horrified gaze of his sister that holds him back but that is no guarantee that it'll work every single time. Only to his sister is he able to admit his conflicting feelings to you and both of them know that it is only a question of time when you will find out.

⬛Still, even if it comes that far Gin wishes for her brother to not terrorise and hurt you even with his obsession. She cares for Akutagawa but you're still her friend and she likes your child as well. She wants him to attempt to confess to you the normal way at least once and if you reject him she kind of knows that there's little she can do. Unable to live with herself if she wouldn't try though Gin introduces her brother to you who finds himself incredibly awkward as he is completely out of his comfort zone, easily irritated and with little patience, especially when your son is around. Big chance that Gin is lurking around in the distance when Akutagawa tries confessing, already looking like he is glaring at you. He honestly only knows what to do in case you reject him because you don't like him which is instantly doing what he can do best. Inflicting fear upon you whilst using Rashomon. He isn't prepared for you rejecting him because you think he shouldn't bother with you and is left so perplexed with that answer that he just stares at you for a good while. Ultimately this only delays the abduction though because it'll still happen. He's promised Gin to not harm your son though.

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silverflqmes · 8 months ago

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agszc and the flowers they'd give as well as why they would give them?

໒⦂ 𝐅𝐋𝐎𝐖𝐄𝐑 𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄.

notes. hey queen, my knowledge in flowers is baby level but!!! we’re gonna see which flowers the boys would give based on themselves and their love<3

genre. fluff

for @melukonova <3

ft. sephiroth, cloud strife, zack fair, genesis rhapsodos, angeal hewley

gender neutral! reader.

ะ ྂ ❤︎ . ˚˖ you selected.. orchid.

+ reasoning. orchids come in a variety of symbols next to the obvious luxury and beauty, such as strength, mystery — even charm and refinement. more importantly, they bring across how lucky you are to be able to love your special someone.

+ sephiroth had always thought himself to be deplorable for as long as he could remember. growing up, he had countless reminders of how unloveable he was even in spite of shinra’s hero treatment of him. when he met you, however, somehow you had brought this ray of light into his suffocating darkness and had loved him in spite of everything. he was just so lucky to have you in his life — it was imperative he showed you his gratitude. and so, from the many books he read in his days, he’d decided that gifting your orchids was the best way.

+ “it took awhile to find you these, given the state of midgar.. but the search was worth the while. as i recall.. lovers gift one another flowers as an expression of affection, do they not?”

ะ ྂ ❤︎ . ˚˖ you selected.. gardenia.

+ reasoning. gardenia is the type of flower you would use to confess when the words don’t quite reach your lips. basically, an unspoken confession to convey your love. furthermore, it represents purity and expresses beauty towards the receiver.

+ cloud strife.. was never really the best with words, feelings and emotional expression. he preferred to think of himself as an actions kind of guy, and his confession to you boiled down to exactly that. with all the worst behind him, and the whisper of advice from his parted friends, he would have set out one morning to sector five to purchase a few gardenias. flowers and their meanings didn’t come easy to him, but the words he’d received told him these were the ones. the blond’s only hope was that his message would be received and returned.

+ “here, got these for you on the way back from my delivery, they’re um.. gardenias. make sure to change their water every other day or so, if you want them to last, of course..”

ะ ྂ ❤︎ . ˚˖ you selected.. daisy.

+ reasoning. daisies represent an innocent, cheerful and pure form of love. the kind of flowers you would pick fresh from the garden or a patch of grass to bring to the person you cherish most. they can also express true love, beauty and simplicity.

+ zack fair was true to his nickname — a puppy. despite his want for leaving the countryside to join SOLDIER, the days he would spend back home were all filled with memories that he would forever carry with him. a few that stood out most were the times he’d race up to you with a handful of daisies. despite their messy condition, and the apology he would laugh out for tripping on his way to you, his actions are filled with sincerity and love.. even if zack might not know what he’s given to you. with time, however, he will have realized the depth of his gifts.

+ “ahaha, sorry y/n! i didn’t see this rock on my way over, and i might have ruined the flowers a bit.. but they still smell nice! and i tried to salvage the good ones, y’see! peak condition!”

ะ ྂ ❤︎ . ˚˖ you selected.. aster.

+ reasoning. asters, according to myth were associated with a goddess that wept because there weren’t enough stars. the tears that fell became the star shaped flowers we call asters. on the contrary, they symbolize love, charm and sensitivity.

+ genesis rhapsodos — born poet, forced to soldier. flowers and their meanings didn’t fall far from the tree for a man with vast knowledge of the arts, literature and beauty. as someone with a keen interest in loveless, having analyzed and noted it to memory, asters came to be his first choice in conveying his love for you. the gift of the goddess, he would have concluded, and a perfect fit for the one who has captured his heart — you. and so, on his way back from a mission, a singular aster would have occupied his red, gloved hand as he presented it to you.

+ “a gift from the goddess for my beloved.. as flowers have long since disappeared off the face of midgar, amidst the filth and industrialization. are you pleased with my findings?”

ะ ྂ ❤︎ . ˚˖ you selected.. alstroemeria.

+ reasoning. alstroemerias convey loyalty, devotion, support and.. honor. the type of flower you give to remind someone of their strength when they fall on hard times. but, it is also said that receiving an extra sweet one, meant you were beloved.

+ angeal hewley wasn’t exactly one for frivolous love, a stark contrast otherwise, to his friend. the romance department just never really called his attention.. well, at least until he met you. somehow you sparked feelings in him that he wasn’t sure he was even capable of feeling strongly towards another person. it was strange, different.. but a good kind of different. however there was a downside — that being his lack of experience. his familiarity with romance was minimal, but he was determined to provide! and with outside help, he was acquired flowers.

+ “these are alstroemerias.. a mouthful, i know. but they used to grow back where i grew up, in banora. they said the sweeter ones are best to gift to your beloved — so here you are.”

notes. several hours of research and inconsistent writing later, i was able to finish your request.. love how NOBODY had roses but like anyway, this is the end results for agszc with flowers woop

↳ return to main masterlist . request rules . send an ask

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sunnynwanda · 11 months ago

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Hi! Your writing is just amazing 🤘🏾 may I request a spicy hero x villain , with an EXTREMELY flirty villain. Perhaps giving off a "one night stand" sorta vibe? Idk whatever you're comfortable with. Thank you in advance!

Temptation

Part 2

Hero was livid. Rightfully so. Not only did the asshole of a villain they had the misery of working against attack on Christmas Eve, but they also had to do that on the only chance Hero had of company. They were Christmas carolling near the central square, for God's sake. There was nothing to gain from attacking them there. Or attacking at all.

And it's not like Villain even pursued anything - they were just determined to piss Hero off and ruin their holiday spirit to compensate for their own foul mood. Solely out of spite. So yes, Hero was seething. And Villain was going to regret provoking them.

They grab a garland light off the toppled tree and wrap it around Villain's wrists. They attempt to jerk away and free themselves, when Hero restricts their movements by twisting their arms behind their back and securing them before wrapping the rest of the garland down to their feet to completely immobilise them.

"Stay fucking still!" They growl through gritted teeth, tugging at the improvised chain a little too harshly.

"I like it a bit more gentle, baby," Villain murmurs under their breath, but when Hero smacks them, they start thrashing around like a fish out of water.

Hero picks Villain up, fighting the temptation to knock them out, and throws them over their shoulder. They wish the citizens happy holidays and depart with a heavy heart. Once they've dealt with Villain, there'll be nothing but an empty apartment and frozen pizza waiting for them. All because of the dumbass that keeps banging their tied fists at Hero's back, demanding attention.

"Stop." They order, only to be ignored. "I told you to stop, you absolute prick!"

Villain seizes their blows for a short moment before resuming again with a cheeky laugh. And Hero has had enough. They throw Villain off their shoulder, watching them land on the concrete floor of their apartment balcony. Normally, they would avoid bringing Villain to their own place. But, the agency was closed because every normal human being was supposed to be at home, celebrating with their families.

They land, turning Villain over face up and grasping their collar to pull them to a standing position. A strained breath escapes them from the force with which Hero slams their back against the wall. They hiss when their head makes contact with the rough surface.

"Now listen here, you miserable bastard," they start, anger sweeping over them.

Against their better judgement, Villain coughs out a laugh, only getting Hero more riled up.

"You sure I'm the miserable one here?"

This earns them a blow to the gut, but they can't even bend over properly because of their confines.

"Shut your mouth and listen to me," Hero snarls, no longer able to contain their aggravation. They don't even know why they are so mad at Villain specifically - poor-timed attack aside. It is perhaps their frustration getting the best of them, Villain just happened to cross their path at the wrong moment. "We have two options here."

Villain swallows, their throat tight, then nods. Something is off, and they can sense that. Usually, Hero was up for a little brawl. It was entertaining and never meant to inflict any significant harm. Same for today, Villain was sure the toppled tree was back in position with only one garland and a couple of ornaments missing. Worst case scenario, ten. Hero's rage was far from being equivalent to the damage done.

"You give us both a holiday break, or I leave you here tied up with this garland for the entire weekend," Hero's warning drags them out of their thoughts. But they wouldn't be who they are if they abandoned their plan that easily. Villain pulls their lower lip between their teeth and drags a finger over Hero's toned stomach, eyes lided.

"There's another option, too," they muse in a low voice. They know they are probably laying it on too thick, but they need to get the message across. And if this doesn't get Hero to relax, they don't know what will. With a crooked smile now adorning their face, Villain continues. "If you'd care to twitch your plan a bit, that is."

Hero stares at them with the most deadpan look they can muster. They despise the way their voice sounds hoarse when they finally speak. "How so?"

The sexual tension between them was insane - to a painful extent. It was evident from the very start, but they never succumbed to it and never showed any inclination to cave in. Or so they thought.

"Well, it'd go pretty much the same - you tie me up with the garland," Villain explains, squirming to illustrate their point. And free their arms. "Except, you stay, too, and get to do whatever you'd like to me."

"What?" Hero chokes out, incredulous at the shiver Villain's words send down their back. They are flabbergasted at how quickly they were ready to nod in agreement.

"Preferably for the entire weekend," Villain can't help the teasing tone and seeing Hero's reaction only prompts them to keep going. They gulp, voice heavy with arousal. "If you can handle me for that long."

"I..." Hero gapes at them, utterly at a loss for words. Their skin prickles with agitation when Villain offers them a suggestive wink.

"I'm damn sure that'll be your best Christmas yet."

Hero bites their lip to suppress a throaty groan, and Villain smirks, knowing full well they got them. They can feel the heat rising in their stomach when Hero looks up at them with darkened eyes. Their dilated irises lock onto Villain's when the question drops from their lips. Villain barely registers it, too occupied with the thoughts of that mouth on their skin.

"And what happens next?" Hero asks, barely restraining themselves from throwing every inhibition aside and ravaging them on the cold balcony of their apartment.

"Nothing," Villain squeezes out, their tongue sweeps out to wet their parted lips. Being bound up and at Hero's hands always did things to them they were not prepared to unravel, but this seemed like the perfect opportunity to go there. "We let the tension out of our systems and return to our usual fighting routine."

A part of Hero fears the weekend won't be enough to satiate their hunger, but it's worth a shot. At least they can get a taste of something they have craved for longer than they dare admit.

"You know you want me, darling." Villain chimes in, worming out of their chains and wrapping their arms around Hero's neck. "You can't hide it."

Without further thoughts, Hero crashes their lips in a searing kiss, picking them up with one arm while the other pushes the door open. Villain moans into their mouth, wrapping their legs around Hero's waist as they are carried into the apartment.

They don't know whether this is an incredible idea or a horrible mistake. It's up for debate whether this will end up as a one night stand with their nemesis or a beginning of something much more than that. They don't even know if it's anger or attraction that's fueling Hero's desire for them. If there is one thing Villain does know, it's that they won't be spending Christmas enveloped by the emptiness of their existence.

Part 2

Masterlist

Hi, darling!

Thank you so much for the request and kind words, I appreaciate that! I hope I managed to capture your idea in this snippet and that you will enjoy reading it as much as I enjoyed writing it.

It's not as spicy, but there could always be a part 2, right? :D

xo Sunny

Taglist: @marvellousdaisy @alltimelowing @lateuplight @surplus-of-sarcasm @betwist @excusemeasibangmyheadonawall @enemies-to-idiots-to-lovers @miaowmelodie @thatonerandomauthor @hhabaddon @burningoutlikeicarus @daemonvatis @weepingcowboywolfbat @thelazywitchphotographer @kaiwewi @soul-of-a-local-bard @pigeonwhumps @aflyingsheepnamedrose @thatneptune @ohwellthatslifesstuff @worldsfromhoney

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earthmoonz · 4 months ago

Text

WIFEY. | EPISODE TEN (10.10) [ACT THREE]

start / previous / next

Luis and Lourdes had driven in heavy silence, neither willing to speak first for fear of igniting another argument. Being at odds was new to them, and in the deepest recesses of Luis’ mind he wondered if this dynamic would be permanent, further distancing him from his already fractured family.

Lourdes, who typically preferred peace over conflict, found herself bubbling with a rage so potent, she felt like a stranger to herself. For the first time she seemed to truly understand the truth of womanhood in her family. So much pain to hold back. So much poison to swallow down. It was clear to her now why her sister behaved the way she did. Before, Lourdes had loved Lena in spite of her violent nature. Now she wondered if that same violence was bravery instead.

(transcript below)

(LUIS): [Noticing Lena’s car] Let’s get this over with.

[As the siblings walk towards each other, the air is thick with tension. The one-two punch of seeing both of her siblings arrive mixes with Lena’s ongoing anxieties over Max. Betrayal and fear distil themselves into an ache in her chest, giving her a brief pause before she speaks. However, the silence proves too much for Lourdes and her rising panic makes her talk first]

(LOURDES): Lena…I know how this looks, but please. If you let us explain then I’m sure we can have a civil conv-

(LENA): Sure? Oh that’s funny. An hour ago I was sure my sister wasn’t a traitorous bitch.

(LOURDES): Lena! You don’t understand!

(LENA): Get the fuck out of my sight Lourdes, before I change my mind.

(LOURDES): I-

(LUIS): Go wait in the car.

[Lourdes, now devastated, stomps off in the direction of the car]

(LUIS): If it’s any consolation, she hated lying to you and mami, and probably she hates me now too.

(LENA): She can join the fucking club. What is wrong with you Luis? [Gritted teeth] Why would you do this? What was there to gain?

(LUIS): Even if I told you, you wouldn’t understand. You have no idea what it’s like to atone for the sins of this fucking family.

(LENA): Oh give me a break! Do you think you’re the only one who’s been through shit? Who’s fucking sacrificed?

(LUIS): No. But unlike you, my shit isn’t self-inflicted.

[Lena punches Luis to the ground]

(LOURDES): [witnessing it] here we fucking go.

(LENA): [Flexing her hand] get up.

[Luis scrambles to get back on his feet]

(LENA): Do you know what your problem is? You don’t know how to de-escalate. You just expect people to back down and acquiesce to your point of view. [Luis gets back up, breathing heavily] …And if you can’t get your way, you provoke people into being their worst selves, so that you can say your hand was forced. Now we both know that shit doesn’t run with me, so how about you try telling the truth instead?

[Luis takes this opportunity to shove Lena to the ground, they fall together and immediately start fighting.]

(LUIS): [Breathless, mocking] that ‘I’m so tough’ shit is getting old, Lena.

(LENA): [venomous] Prick. [She surprises Luis by shoving him off her, quickly regaining the upper hand. Her gun clatters to the floor in the process.]

(LOURDES): [quiet, panicked] Oh fuck!

(LENA): Aw poor Luis, it’s so hard being daddy’s favourite, I’m such an angel! It’s my sister who’s a big bad monster! Boo-fucking-Hoo. [deadly] You know I promised mami I’d bring you home, I just didn’t say what condition…

[Lourdes sprints back into view, Roy’s black SUV pulls up]

(LOURDES): Lena! That’s enough!

[Lena releases him immediately, shocked out of her blind rage, the two sit, facing each other]

(LENA): …He’s fine.

[Car door slams, Roy steps out, but so does someone else]

(LENA): [Now standing] Max?

(MAX): …Hi.

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neverchecking · 1 year ago

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TotK Link

Okay, I know not everyone has played Tears of the Kingdom, nevertheless finished (I know I haven't), but I just have brainrot that I need to spread.

And I now have the platform to do so >:)

So, of course, Spoilers under the cut!

CW: Yandere, TotK spoilers!

・❥・So, this can go two ways. One, TotK Link is Wild who was taken mid-adventure with the other Links. Or, two, this is an entirely different Link, kind of like Calamity (AoC Link-- there are some great headcanons about him -> Here! Go check them out they are so, so good.).

・❥・I like both ideas! But, let's talk about the second option.

・❥・So, imagine, the chain and Reader are coming through a portal to this new Hyrule. Or, well, they think it's new. It's oddly reminiscent of Wild's Hyrule only...bigger. There are islands in the sky, holes covered in what appears to be malice in the ground. People are more abundant, there are towers standing, glowing a welcoming red rather than the golden towers in Wild's Hyrule.

・❥・It's so different, but yet so familiar.

・❥・Now, it's evident that this Link is a little more...Feral. Look at his hair and tell me otherwise, you can't. This man had won. He had won, gotten his victory over the Calamity and was supposed to have the rest of his life to settle down. But he didn't. It was ripped away from him once more. Not only that, but he was thrown back to square one. Gloom now riddled his veins making him feel like he was newborn fawn stumbling out of the Shrine once more. So he's probably livid. Angry with Hylia and fate, and Ganon and and and-

・❥・He has no patience left to offer.

・❥・Zelda was supposed to have unlocked her sealing powers, no? And she did nothing. Actually, that's a lie. She used them to save herself. He was left dying again and she saved herself. After he destroyed the Master Sword, the only thing that made him anyone, protecting her. Destroyed his arm. Destroyed himself. And she saved herself. Rauru had to protect him. Had to save his life before Zelda did.

・❥・So, yeah, he's a little less...companionable. He had to save someone who wouldn't give two shits about him again. He thought they had improved their relationship, but he guesses not. Betrayal runs deep in his gut, igniting a fiery inferno that burns on spite.

・❥・And the worst part about it? Everyone around him is praising that damned Princess. For the bare minimum. Showing them a recipe, building a school that should've been there years ago, hell, even just having a horse got her praise out the ass.

・❥・He was tired of it.

・❥・People stay out of his way a lot more. He wears a look that promises some form of harm should someone cross him, and he's more than willing to deliver. Because now, it's not just the one land of Hyrule. Now he has to deal with the Sky Islands and the Zonai creations. Now he has to deal with the depths and all of those creatures which just bring back the gloom he dispels. And he's so over it.

・❥・Now, picture if you will, Reader falling through the portal, separated from the chain, scared and alone. Reader thinking they're in Wild's Hyrule, but his doesn't quite look like this, does it? Reader thinking that, hey, at least they're hidden and in a forest, only Oh Sweet Goddess Above-- THE TREES ARE MOVING-

・❥・Reader doesn't know what to do because THE TREES ARE COMING AFTER THEM, they were forbidden from having a weapon (Because why would they be separated ever? They were there to protect their sweet reader? why would they need to burden themselves with a weapon when the Links could fight for their honor?), and THE TREES WERE ATTACKING THEM-

・❥・But, here comes their knight in shining armor- or some sort of blue tunic. Honestly, the tunic was styling if we're being honest; the open back and split sides along the hips? (Iykyk)

・❥・The trees are taken care of easily and the blond is turning to look at reader.

・❥・Reader just knows. "...I'm gonna guess your name is Link?"

・❥・And while on the outside, all he gives is a simple nod, it's anything but simple. You, this gorgeous being that he just so happened upon, recognized him. It seemed that without Zelda parading him about like some show dog for all of Hyrule, people didn't know who he was. but you? You did? You knew who he was? And the way you were staring at him was like you knew what he had done. The sacrifices he had given. And you were thankful and appreciative. Which was all he asked for.

・❥・You then thank him (You THANKED him) for saving your life and explain that you had been separated from your group. (Group? You had a group? And they just...let you out of their sight?) He offers to help you look for them and you eagerly accept.

・❥・Now, he latches onto you pretty quickly. Your already used to all the Link-isms so he isn't much different. The silence, the constantly guarded exterior, your used to all of it. And it just convinces him further that you're perfect for him.

・❥・Eventually the rest of the chain do pop up. But this Link isn't convinced their safe, after all, Ganon could make puppets out of everyone. Whose to say their not puppets or Yiga? It's better to stay with him, can't you see that?

・❥・The chain obviously have a different opinion on the matter, Legend all but Demanding you back. Hyrule and Four try to placate this Link, while Wild, Wind and even Twilight are trying to think of way of just scooping you up and running. Sky and Warriors are trying to barter with this Link (What does he want? Fairies? Potions? Money? They could have it all should he just give you back). Time is the only one to recognize that this is still a Link. He still wants what's best for you. That doesn't mean he trusts him.

・❥・If Fierce Deity and First are int he group at this point, they too are probably either trying to manipulate explain to this Link that they are in fact your aforementioned group or are just barely holding onto the shred of sanity left thats stopping them from simply doing away with this obstacle.

・❥・But this Link, like all Links, is stubborn. Not just a regular stubborn either. He has learned the hard way that if he wants something, he's going to have to fucking cling to it to keep it. And he's not losing you. Eventually they explain the situation after a bit of your pestering and he loosens up, just the slightest, to take in their words. That doesn't mean he lets go though. Oh no, he just lets them meander closer without threatening a flame throwing at them.

・❥・He's sort of indifferent to Wild, I would think, since they're kind of the same person. He was just dealt the shittier hand.

・❥・When asked where Zelda is, he simply points up (Maybe her name is Natura? Idk, I'm uncreative). He does not elaborate. They don't ask him to.

・❥・Now, it's obvious you have just claimed this Link. He's yours. Sorry not sorry. It's just a matter of taking him with you. He's insistent on not leaving your side. The Demon King isn't actually doing anything, other than unleash monsters the people of his land are already familiar with. This is obviously a new threat and he's a Link isn't he?

・❥・In terms of names? Maybe he's the hero of the Zonai because Tears of the Kingdom doesn't really give us much to work with. Maybe they call him both Zonai and Sage. I like Sage, so I'm going with that.

・❥・The way he fights is fast and brutal, delivering hits that dissipate his enemies own mobility before delivering a fatal last hit. He's a unit of a man, probably like Twilight, if not a little smaller. (Have you seen the shit he has to lug around? Mans is built.) Same height as Wild though, just more built.

・❥・As for the type of Yandere he is? He's on you. Constantly. He is hovering over you because anything and everything can be ripped away from him in an instant, as Hylia as so helpfully shown. He is making sure nothing gets the chance to get closer to you. And he's using his new abilities to do so. Wild is probably interested in the abilities and the arm and the tech, since his Hyrule, after Sage's, is the most technologically advanced.

・❥・He's inspecting your food, checking your person every time you disappear out of his sight for a second, snarling at people who attempt to talk to you.

・❥・The group have to keep him in check like an untrained puppy.

・❥・Oh, but how he laps up the attention Reader bestows upon him. He is such a cuddle hog and he knows it, smirking smugly at the others while you hold him close because oh how his arm hurts so badly, didn't you know? Oh, how the gloom has him feeling absolutely rotten, please can he just lay with you for a while? Just until he settles back once more? Pretty please?

Anyway, those are my thoughts for now, feel free to add your own!

#linked universe #linked universe x reader #yandere linked universe #yandere linked universe x reader #legend of zelda #linkeduniverse #loz #Lu x reader #yandere legend of zelda #yandere legend of zelda x reader #legend of zelda totk #tears of the kingdom #tears of the kindom spoilers #But imagine him!#He would be so loving #because he knows what its like to lose everything #and he remembers it all #just wanna give him kithes

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sepublic · 9 days ago

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I don’t think the time loop devalues Luz not having a natural destiny as established in Witches before Wizards, because there’s no higher power deciding what Luz’s life and presence means for her; There’s no actual God designing Luz as a savior before she’s born, it’s just the laws of physics preventing a paradox. A Puritan delusional about predestination tells Luz that it’s her ‘destiny’ to meet him, but she dismisses this as balderdash, which seems to me a deliberate acknowledgment by the writers.

Luz’s lesson in the second episode was that she wasn’t going to have an empowering good destiny that would give her everything she wanted like she hoped for; Luz would have to take agency to make people like her instead of waiting to be told she’s special. That still happened! Similarly, King wanted to have been special, decided he didn’t care for that, only to be a Titan after all and find misery in the fact.

And the time loop for Luz was one of the worst, most traumatic revelations she’s ever had, it’s a core factor into her suicidal depression, motivates her into almost sacrificing her dream and happiness out of guilt, the exact opposite of justifying it. It’s something Luz has to build herself back up from, in spite of not because. There’s nuance and irony. Because if Luz’s destiny as defined by Belos is to help him hunt witches by bringing him to the Collector, Luz defies this bad destiny by saving the isles instead.

Because Luz decides what her destiny is; Luz decides what she’s here in the isles for, it’s what Eda tells her when explaining that she’s no chosen one, in the same speech where Luz decides to make her fantasy happen instead of waiting for it to be decided by another. She literally made her destiny by starting the time loop with Lilith.

Luz has to be her own kind of witch, she has to choose for herself whether to stay or leave. The Titan is just some dude can’t decide for Luz if she accepts his power and becomes the chosen one she worked to become, she has to choose and keep choosing.

Even the time loop, as Luz chooses to engage with it, goes against what Belos claims she’s meant for; Luz is also choosing to help and uplift a witch that Belos hates, and when the conflict is done, uses her last hours in the past to help Lilith self-actualize. It’s not her cursed fate to destroy everything she touches in both the isles and the human world, Luz has done so much more good, and the good is something she chose to do, something she helped make happen in spite of the bad, with those who accepted her help.

Luz coming across the Portal was fate; Not in the sense that it was all planned out by some higher power. But that it’s coincidence, and it’s something Luz chooses to accept and make use of in her own way, for her own purposes. After fulfilling the time loop and having no more obligations to temporal physics, Luz still chose to go back, saving the isles not just once but a second time.

The ending of Elsewhere and Elsewhen is Lilith the witch reassuring Luz that she doesn’t need to emulate Philip the human to do what he does; Lilith being more correct than she imagined, because that human is the system Luz was trying to avoid following in the first place. She doesn’t need to be like Belos, believing God has a destiny for her, to be special. Belos was wrong, Luz did not arrive to play the role set out for her, she’s the disruptor she’s always been, rebelling against an ancestor of the system.

Because people decide, people assign meaning, people choose, there is no higher power to attribute things towards. It’s just people and coincidence, you determine but not in a Libertarian kind of way because everyone needs opportunities and chances, to be better or to be a witch, these are things that should also be given and they don’t have to pull themselves up by their bootstraps to receive. But they do have to accept.

#The Owl House #Luz Noceda #Meta

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notnamedjohn · 6 months ago

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IN STARS AND TIME SPOILERS

ACT 6/TWO HATS

God I love how much Loop tries to hate Siffrin but deep down really just can’t bring themselves to commit to it. Like they start off as being intentionally annoying because “look this idiot got stuck in a timeloop! How embarrassing! He wants to stay with his friends but can’t bring themselves to actually talk about it! COULDN’T BE ME” and they empathize with Sif because yeah no shit they went through it too. They actually want them to break free of the loops because what they are going through is horrible and so so painful that it hurts to watch.

They give actual genuine advice (hidden behind alot of teehee’s) and talk through Sif’s ideas and theories. They are always there waiting for Sif to come back and try to work out the next thing they should be doing. And, in my opinion, I think they enjoy it. They went through their own timeloop hell and they finally have someone who understands and can talk to about it. Sure that person is you who made the same blinding mistake and is making it worse and you can’t help to make fun of them because its like the you from your most embarrassing moment that lives rent free in your head is right in front of you and you get to be like “hey man what were you thinking? That was really stupid what you did oh my god.”

But I can only imagine how that “haha ur dumb but im here to talk” energy gives way to actual spite and jealousy as Siffrin gets farther than Loop. They killed the king, Loop never could. They find out more about wish craft, Loop never got that opportunity. They can read their native language and speak it again, Loop is still stuck with headaches and fleeting memories. And worst of all? They won. They get to live their lives with their family. They made it through hell and won. The King is defeated,their family is with them promising to stay together and keep adventuring together seeing all these wonderful places and things. And Loop never will. Loop lost their family. They lost them because of their wish. A wish they couldn’t handle. Their family THEIR family is gone forever. The only one who can remember them is stuck with copies that see them as a stranger. And the only way to get them back? To even HOPE to have a chance at being by their side? To kill the better version of you. To murder the one who the Universe loves more. To kill the person who stole your happy ending and family. The person who struggled the same as you. Who came to you whenever they needed help, because they trusted you. The person who came so SO close to failing just like you, but you saved them because you know how much it hurts. The person who you wanted to succeed. The person who you can’t kill no matter how badly you want to.

If you lose to Loop in their fight. They won’t kill Siffrin. They can’t. Not after all of the pain the two of them went through. Not after they have a chance of being happy. Loop just can’t do it because they feel that they don’t deserve it. For all their talk of Siffrin needing to work things out with their family, Loop can’t do the same. They can’t look them in the eye and tell them they are Siffrin, they tried so so hard but couldn’t do it and left them all behind. In their eyes, why should they get a happy ending? They doomed an entire reality, their family and left them behind. They can’t take Siff’s place because they know Siff deserves it. Because they won. They made it. They earned their happy ending.

And im so FUCKING NORMAL ABOUT THAT.

#in stars and time #isat spoilers #isat siffrin #isat loop #isat #god i hope Loop finds peace bro I swear to god #sorry for the rant #needed to scream about this for a min

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morelikeravenbore · 3 months ago

Note

how would Aurelie have navigated Hogwarts and moving to Scotland in a au where Sebastian was never there? Do you think she’d befriend Ominis?

HI ANON BB!

This question is genuinely so good, but I accidentally wrote a total crackfic in response that only sort of answers your question so I hope that's okay 👉👈

Toast & Tribulation

A crack fic in which I explore an AU where Aurélie is a Slytherin, and she and Ominis are besties/Hogwarts royalty. Yes, there will be Mean Girls references.

Content warnings: aside from nonsense and total crackficery, N/A, SFW.

Word count: 1.4k

Image credit: Ominis found via pinterest by sallowfae. Aurélie generated by me that one single time I tried AI and decided never again lol.

When Ominis Gaunt had first introduced himself outside the Undercroft by threatening to have her expelled, Aurélie swore right then and there to hate him for the rest of her life. And for most of her debut year at Hogwarts, she did just that — vehemently.

Such was her pleasure at seeing the Heir of Slytherin scowl unhappily, she made it a point to purposely side with his best friend Sebastian in every ridiculous argument the pair had, until, quite to her dismay, she found herself on the receiving end of Sebastian's crucio to retrieve a book, trudging through scary underground catacombs in search of some weird old relic and, worst of all, an accomplice to murder when Sebastian's uncle Solomon found out about their misadventures and tried to intervene.

It was only then did she realise she'd perhaps been a bit hasty in inadvertently encouraging Sebastian's descent into darkness out of pure spite — but one didn't just threaten a French girl when she'd done nothing wrong and get away with it.

As it turned out, murder had a way of bringing people together (so long as you weren't the one being murdered), and she and Ominis quickly found themselves allied together under the common goal of covering up Sebastian's crimes and keeping him out of Azkaban. That allyship, as unlikely and bewildering though it may have been, was only strengthened when Anne, Sebastian's twin and the only witness to Uncle Sallow's death besides Aurélie, rallied against them, insisting that her brother deserved to pay for his crimes by having Dementors suck out his will to live for the duration of his life.

Anne Sallow had been a formidable opponent indeed; as stubborn as her brother and twice as clever, it had taken all of Aurélie and Ominis’ combined efforts of cunning and resourcefulness to convince her to spare Sebastian a fate worse than death.

Subsequently, their allyship morphed into friendship after Anne up and disappeared, feeling betrayed by her brother and her oldest friend (and decidedly not a fan of the New Fifth Year), and was only strengthened further when Sebastian withdrew into his own private pit of despair, shutting them out despite their best efforts to pull him out again.

Driven together by the absence of the Sallow twins and a burgeoning sense of camaraderie, Aurélie and Ominis — later dubbed Aurelis by their many admirers — found themselves with no one else to turn to but each other. By their seventh year, having realised they were far more powerful together than they were apart, the pair had become not only best friends, but Head Girl and Head Boy respectively, founders of la Société du Papillon Bleu (an exclusive club in which Aurélie passed judgement on the latest fashion trends and Ominis agreed even though he couldn't see any of it), leaders of the school choir, and the two most popular and influential students Hogwarts had seen since the original founders had walked the halls.

If they could cover up a murder together, they could do anything.

‘The toast is dry,’ said Aurélie one morning when Ominis joined her at the Slytherin table.

Today, being Wednesday, Ominis had foregone his usual Slytherin green and silver for a bespoke all-black blazer, waistcoat and tailored trousers; one of the many ensembles Aurélie had ordered for him especially from France.

‘That is unacceptable,’ he sniffed. ‘Hand it to me, let me feel it.’

A quick touch of the toast was all the confirmation he needed. Dropping it back onto the platter like a used handkerchief, Ominis wiped the crumbs off his fingers and declared, ‘Toast is out.’

Aurélie agreed with a fervent nod. ‘Toast is so out.’

Across the table, his mouth full of toast, Sebastian quietly rolled his eyes.

‘You two are ridiculous,’ he muttered. ‘You do know that toast is supposed to be dry, don't you?’

‘You do know that on Wednesdays we wear black, don't you?’ Ominis retorted, and then, as an aside to Aurélie, ‘He's not wearing black, is he? I can sense it.’

Dressed in his typical emerald and silver uniform, Sebastian's natural tenacity rendered him immune to the self-imposed fashion rules that dictated his friends’ outfit choices, but he knew better than to argue with their astute judgement of appropriate bread dryness, and by the end of the day, nobody at Hogwarts dared eat another slice of toast lest they be cast aside and shunned for the rest of their schooling days — and possibly even beyond.

And so it went: unchallenged in popularity, fierce and beautiful and vaguely terrifying, Aurelis were free to reign over the student body, revel in their infamy and walk in slow motion down the corridors between classes without consequence or reprimand.

One spring morning, struck by a sudden stroke of inspiration, Aurélie brushed Sebastian's hair so that it swept across the right side of his face instead of his left. The result caused a frenzy the likes of which hadn't been seen since Professor Weasley had been caught smuggling toast into the faculty lounge, and suddenly every student, male and female alike, were changing the parting of their hair in hopes of replicating Sebastian's natural good looks and easy nonchalance.

‘I saw Sebastian Sallow wearing his hair swooped over the opposite way, so I'm wearing my hair swooped over the opposite way,’ was a common phrase heard throughout the castle that week, and Sebastian enjoyed his newfound rise in popularity until Aurélie had the genius idea to let a lock of hair loose from Ominis’ usual slicked back hairstyle, and Sebastian's right-sided swoop was forgotten in the fever pitch that ensued thereafter.

When December rolled around, the subject of the approaching Yule Ball was all anybody could talk about. Rumours abounded about Aurelis, the King and Queen of Hogwarts, until the anticipation was palpable and the collective excitement simmered on the edge of frenzy: what would they wear? Who would they go with? Would they arrive as a trio, Aurélie, Ominis and Sebastian united as one terrifying entity, or would they bestow their company onto those brave enough to ask them as dates?

And what of Aurélie's dress? Had it really been handmade by a commune of Veela within the Palace of Versailles, who'd once, under utmost secrecy, made garments for Marie Antoinette? As the weeks wore on, the scrutiny over Aurélie's gown became so intense she had to hire a security troll to guard over her wardrobe day and night.

When the trio indeed did arrive at the Ball as one united front, and glided down the Grand Staircase together in coordinated outfits, a collective gasp of adoration arose from the rapturous crowd, and several people actually fainted; never in the thousand-year history of the Yule Ball — nay, in the wizarding world at large — had a vision of such profound beauty and perfection been beheld.

Aurélie's dress was an iridescent dream of shimmering gauze, as delicate as butterfly wings. Woven with unicorn hair and real fairy dust, the colours shifted from baby blue and sweet pink, to pastel green and pale lavender with every elegant movement and catch of the light. Several real butterflies fluttered in her long braided hair, and on each arm, in matching silk suits and unicorn hair bow-ties, Ominis and Sebastian stood tall and handsome beside her, enjoying their place next to the ethereal beauty that was Aurélie Genevieve Collins.

Once nothing more than a trio of misfits — an unknown French transfer student, a relucantant Heir, and an uncle-killing Dark Arts enthusiast — they'd risen above all adversity to come out on top. To come out as royalty. Overlooking the awestruck crowd, the three enjoyed their moment of glory until a great echoing bang sounded from across hall, and every head turned away from them.

Framed in the great entrance doors, a blinding vision of gold so bright they had to shield their eyes, stood a small figure, her dress cascading to the floor, glittering with what looked like pieces of pure sunlight woven into the silk.

Somebody screamed, but whether from excitement or terror, Aurélie wasn't sure, until a moment later the stranger turned, moving so gracefully it made her want to cry, and a familiar face came into sharp relief.

Their eyes locked from across the room. Beside her, Sebastian let out a gasp.

Anne Sallow had returned to Hogwarts.

#morelikeravenbore writes #ask morelikeravenbore #hogwarts legacy #sebastian sallow #hogwarts legacy fandom #aurelie collins #ominis gaunt #sebastian sallow oneshot #ominis gaunt oneshot #hogwarts legacy oneshot #hogwarts legacy fanfiction #ominis gaunt fanfiction

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justheretoposttrash · 4 months ago

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day 5 of meandering about endeavor (and briefly hawks)--(taking a more meta-look at the fandom with this one):

i find it fascinating and honestly sorta cool that the fandom is so divided on endeavor in a way that lines up well with how people are divided on his character within the text itself.

the responses are certainly not black-and-white or binary, but it's easiest for me to give the examples of hawks and natsuo as sorta opposite ends of the spectrum. many endeavor fans are similar to hawks--enjoying his cooler moments while also greatly appreciating how much he puts himself through in his efforts to change for the better (as an aside, i do find it hilarious how many endeavor fans enjoy seeing that man beat the shit out of and actively suffering. kinky lol). endeavor haters, on the other hand, generally want nothing to do with his character (while some even say that they want him to die, when it comes to fictional people in a story, that's basically the equivalent of "keep this guy far away from me"). the need for unequivocal and complete separation from his character is similar to what natsuo wants and sticks with in the story (although he does have his moments of sensitivity regarding his father, in spite of this).

i think that the reasoning behind irl fans and the characters also often align. for hawks, it's incredibly inspiring and gratifying to see that someone is willing to put in the work to change, even if doing so will be difficult and often unrewarding. the worse the actions are, the more painful the upward climb becomes, but also the more crazy it is that the person in question is willing to make that climb in the first place. i've noticed a lot of endhawks fans in particular really finding a lot of personal healing through exploring these ideas, whether they want to change for the better themselves, or they wish those in their life who'd hurt them would be willing to grow as people the way endeavor's character does. sure, there are some people who gloss over the terrible things that he's done, but many seem to enjoy actively engaging with what he's done and working through what it means for them.

for natsuo, it's not just about it being "too little, too late", though that's definitely a big part--but also that he as a person cannot have a relationship with his father while keeping himself safe and healthy. a lot of real-life relationships end up this way, especially between parent and child once the child reaches adulthood, and it's a very healthy boundary to set. for irl people engaging with fiction that triggers similar emotions, this looks more like ignoring, not engaging with, or wishing for the removal of the character activating them---and if that "boundary"-esque wall can't be drawn, if they repeatedly are unable to avoid the character's presence, this often wells up as anger and turns into venting, which is only natural if you're being bombarded with a stimulus that you feel unable to control. (sure, blocking and filtering tags is available, but algorithms can be incredibly confounding/unavoidable, not everyone remembers to tag their stuff perfectly every time, and in this case, the maligned character plays an incredibly crucial and central role in the canon material itself--so if you want to consume, y'know, mha, you have to grapple with a text that at best isn't always for you, or at worst occasionally betrays you.)

i don't mean to overstate my case--a lotta ppl like stuff or hate stuff without questioning it--but i think in the case of this one particular character, a lot of nuance tends to emerge, and there's a lot of potential there for analysis/learning. I also think that some conflict and friction becomes inevitable between disagreeing fans regarding endeavor's character. naturally, your average person getting crushed in the gears of day-to-day life is going to feel hurt when they're accused of not engaging with the thing that brings them much-needed comfort in the "correct" way, especially if they have indeed been putting a lot of work into thoughtfully engaging with it behind-the-scenes. it's also difficult to give people you disagree with the benefit of the doubt, bc honestly there are plenty of wild takes or arguments made in bad faith out there--and very few ppl want to wade through a bunch of cortisol-spiking statements just to find one that is reasonable enough but that still might be disagreeable to them.

it's likewise interesting to see the reactions of people either calling hawks a murderer and hating on his character, or claiming he did nothing wrong and that twice shouldn't have fought/deserved to die (and while i can understand wanting to defend silly bbygirl birdman, man oh man would hawks not be happy with the latter take if he were a Real Boy). i don't believe either group comprises the majority of mha fans by a longshot, but there's still enough that i've noticed these little trends in one pocket of the internet or amother. i got nothin prescriptive here, i just find it all interesting to talk about.

lastly, i wanna say that, while telling stories from the POV of an abuser and trying to give them sympathy at the same time is so often a gross and very Bad Move, crazily enough i think mha is one of the best executions of this that i've seen. aside from the nuanced way endeavor gets treated by other characters (some supportive, some rightfully angry, some rightfully hateful), what stands out to me is that, by having us see through his pov, the story actually shows what anyone could realistically expect as a best-case-scenario of an abuser starting to atone. we don't have to question if he's sorry, don't have to question if he understands what he did as wrong, don't have to question that he's doing actionable things to make progress, etc., because we spend so much time with his thoughts. and it's not perfectly linear and it does come way too late, but it is kind of wild to see this kind of best-case evolution unfold bit by bit. of course, the flipside to this is that real life doesn't work this way and you can never have absolute certainty that an abuser genuinely understands/won't go on to abuse again. still, being able to see a direct model for what accountability and working towards atonement looks like is refreshing, when by comparison so many other character arcs in other stories 1) end in redemption through death, 2) have the character barely do any internal work/stay an absolute asshole, or 3) resolve a past "sin" that actually wasn't that bad to begin with. when all three tropes are avoided, when someone did something unforgivable but is veritably changing for the better but is still alive, what the heck happens next? what the hell do you do? what does anyone do? some options are explored in mha in a pretty neat way--natsuo never wants to see enji, and enji agrees. touya wants to see enji every day (at least implicitly so) and enji makes that his vow. so many flawed parents irl are unable to respect their childrens' wishes when it comes to letting them completely go so they can live their lives, or when it comes to staying ever-present and showing them genuine care, and yet enji becomes a parent capable of doing both opposite-seeming things at once, finally willing to do and become what his children ask of him. the todoroki saga is certainly not perfect---i for one have *thoughts* about how the very end of rei's arc has been handled---but i think it's unique for how it benefits from providing so much of endeavor's pov, whereas other stories from an abuser's pov might have slapped on shitty apologia or only provided an "explanation" for why that character is so nasty without going too much further than that. while this choice may force some fans to have a level of closeness with a character whose presence begets feelings of hurt and hopelessness, it also makes sense why this choice has captivated other fans and provided, oddly enough, a sense of inspiration and hope.

#mha manga spoilers #tw abuse #endeavor #whenever i think of mha fans fighting i just see traumatized-neurodivergent-gay on traumatized-neurodivergent-gay violence #again not prescriptive i just like crackin jokes #i mean sure good internet etiquette should be encouraged and flame wars should be discouraged but idk im not your mom go have fun #flame wars! see what i did there #endhawks #at least mentioned once anyway

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askganon · 1 year ago

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I'm really tired. I just transferred to a new university to study psychology and it has been the actual worst experience in every aspect. The two biggest issues are the fact that I am autistic and thusly have issues making friends, and that I have this god-awful professor in my counseling class.

This professor is OFF his rocker. He actively talks about the secret society he is in, trying to teach us preposterous things that have no place in that class or even the school at all. I could write a novel about every problematic thing he has said, but my most major issue with him is how he views and treats women, and continuously brings sexual topics up when they have no relevance to the course material.

He has disrespected his wife over the phone in the middle of class and then tried to justify his behavior using his gender, spoken extensively about what features men don't like on women such as makeup or plastic surgery. He says "natural" women are "healthy" (well-endowed) in either the chest or behind but not both, and are uneven in the chest. He specifically targeted my classmate, who was the only one wearing false eyelashes, to say that men don't like that either.

Another time he told us that women run the world because men are obsessed with us, that we are not oppressed at all, yet he turns around and tells us how women in the corporate world go commando under their skirts and sleep around to work up the corporate ladder. He says this in a way that puts women to shame for this as well.

This week, though, was completely different. His departure from the course material started with the extremely invasive question, "what do you remember about your transition to adolescence?" Again targeting that very same classmate. I blink and he is now telling us that the male experience during puberty is far worse than what women experience, basically saying that—excuse my bluntness—getting a boner in class is much worse than anything women go through, even turning to our singular male classmate for backup on this.

He also tries to tell us that its so so bad for boys because the girls actively try to touch them or make them "psychologically disturbed," as he worded so decoratively. What adolescent girl wants anything to do with that when she's going through her own problems? Since when were young girls going out of their way to trouble boys like this? I was actively trying to deter boys during this time.

I and the other two women in my class were disputing all of this, until our professor finally said, "I will just let that go over y'all heads cause you will never understand the male experience," to which I, shaking with rage, replied, "—and vice versa."

My mental health has been suffering severely, and much worse since this happened Monday. I had never felt such pure, primordial rage towards someone before. This man makes me feel not only objectified but also demonized. Last night was my breaking point, working on one of his assignments. I experienced the most intense mental breakdown of my life so far, and afterwards spent all but two hours of the night trying to cram the project that was due today.

I guess my point is that I would report him, but my school makes it nigh impossible to do so. I'm perpetually exhausted and I do not know if I can make it through the last two weeks of class. I want so badly to be petty and spiteful to his face, but for the most part I've controlled it.

I don't really know what I'm looking for by doing this. I guess I just want to know what you think? Apologies for the length of my message.

Such is the mentality I encountered often in my youth by Hylian men, and women, toward my sisters. They would lust after my sisters based on their attire and physique, while also attempting to demonize them and ostracize them for the exact same reasons.

In short, men are cowards who carry the darkest urges shamelessly, but are too prideful to admit the problem within themselves. Instead, the vilify women for their own indiscretions.

They will openly mock my Gerudo for their appearance, while desiring nothing more than to own their flesh in the most disturbing of ways.

This professor seems like a prime example of the Hylian males I encountered. But if this is the case, then so too is his weakness.

He has likely been thwarted in his past in his attempts to procure a mate to his liking, and due to his pride, he believes it is all of womanhood to blame, and not himself.

This one he singles out is likely similar to those he desired but could never obtain in his youth. As such, he blames all others for his own shortcomings.

Likely too with his mate. I would assume her physique does not fit the desires he now feels entitled to, and as such he makes her the target of his criticism.

But through all of this, he reveals a second weakness.

Fear.

He fears that which he cannot control, and women as a whole seem out of his grasp. Every slight, every jab, and every assault from his lips is but proof that he is afraid of what women are capable.

In the midst of a Gerudo warrior, this professor of yours would crumble like kindling to a flame.

Take solace in the knowledge that you are superior to this worm, for you are what he can never have.

#Ganondorf #Legend of Zelda

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antebunny · 7 months ago

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as a huge fan of the original ACD canon, I desperately want to hear your elaboration about why you don't like BBC's Sherlock :D

hi OP I hope you're ready for a monster essay in response because that's what I ended up with!

For ease of reading I've divided up my answer into four sections: 1) explaining Arthur Conan Doyle's Sherlock with historical context, 2) analyzing BBC Sherlock/Moffat's Sherlock using a cross-section of Watsonian and Doylist techniques and sheer spite, 3) my thoughts on Johnlock, 4) comparing & contrasting Doyle's Sherlock with Moffat's Sherlock. Disclaimer: I'm not a historian, although I do I have some understanding of the history of detective fiction. Mostly I'm just an avid reader/fan.

Part I: Original Sherlock

To start with! I will talk about the characterization of Arthur Conan Doyle's Sherlock Holmes. Here's something which people who have never read the stories don't seem to know: Sherlock is kind.

He's not particularly nice, I'll give you that. He tends to think he's the smartest person in the room, and you know what? He almost always is. He has plenty of dry and sarcastic comments for the London police, for clients who don't bring any evidence, etc. But he goes out of his way to be kind. My favorite example of this is the Boscombe Valley Mystery.

The Boscombe Valley Mystery is far from my favorite Sherlock story in terms of mystery-solving, but one of the best in terms of characterizing Sherlock. To summarize: two wealthy, widower landowners, John and Charles, are next-door neighbors with one kid each–John, a daughter named Alice and Charles, a son named James.

Sherlock gets called in when Charles is found murdered, and everyone suspects James of doing it. Of course, it's not that easy. It turns out that twenty years ago, John was a highway robber in Australia, and he robbed Charles but left him alive. John then left the life of crime, started a family and settled in England a wealthy man. Then Charles moved in next door, recognized John, and proceeded to blackmail him for money, land, etc. This escalated until eventually Charles demanded Alice's hand in marriage for his son James. John refuses, and eventually kills Charles to protect Alice and to free himself from Charles' blackmailing/tyranny.

(The problem is that James is actually a decent person, and he and Alice are secretly in love, but there's also a bar maid involved and it's complicated and not relevant. Anyways).

Of course, Sherlock being Sherlock, he figures out that John is the murderer. But here's the thing: he defends John. He doesn't turn John (or his signed confession) over to the authorities. In fact, Sherlock goes to court to protect James by arguing that there's not enough evidence to find him guilty. Sherlock catches a murderer, goes "you know what? He was kind of right tho" and looks away.

Do you understand how radical this is for Victorian England? This is the 1890s. People still believe in God over gravity. The idea that a criminal isn't a criminal for life? That a highway robber can turn over a new leaf? That a murderer can be in the right? [Now would be a good time for a source] Like this is so new, I can't think of a way to translate it to the 21st century.

And it's key to who Sherlock is. He puts his reputation on the line for this case. He says that he didn't manage to solve this case, even though he did. His professional pride and reputation is worth less to him than protecting John, a MURDERER, and James, his son who admittedly is a nice guy whose worst crime is making dumb decisions in college (see: the bar maid).

Because here's the thing about Sherlock's "professional pride:" it's not "I'm the smartest person" or "I'm always right." Sherlock genuinely believes in his deduction method, not as a superpower which he alone possesses, but as a tool which anyone can use if they apply themselves. Which brings me to my second example: Irene Adler.

If you (general audience) only know Irene Adler from BBC Sherlock, I'm gonna ask you to forget all of that right now. Arthur Conan Doyle's Irene Adler is an American opera singer who used to be in a relationship with the future King of Bohemia. The king asks for Sherlock's help retrieving an incriminating photograph that Irene Adler has threatened to send to the king's future wife (a Scandinavian princess) and her family. (Irene Adler is currently in England, getting married to some guy named Norton).

Sherlock promptly gets outsmarted by Irene Adler. She leaves for America with Norton and the photograph, though she promises not to use it against the King of Bohemia, and keeps her promise. Because here's the thing about Irene Adler: she's not a criminal. She's not a bad guy in any way. She doesn't blackmail the king. She had a fling with the King of Bohemia, eventually moved on with her life and married Norton. When Sherlock came sniffing around for her private property, which she was under no obligation to return/give up, she got the hell out of England.

Despite this, Irene Adler is often framed not only as a criminal but also as Sherlock's love interest in adaptations. (And I'm not even talking about BBC Sherlock, trust me, we'll get to that). I think this is due to a fundamental failure or refusal to understand the nature of Sherlock's interest in Irene Adler. He explicitly states that he is not romantically attracted to her. (And neither is she to him). He is impressed by her intellect. It is rare enough for Sherlock to be outsmarted; I think Irene Adler may be the only example in the original stories where the person/group who outsmarted Sherlock was not a career criminal or other type of evil-doer (such as the KKK, in The Five Orange Pips, yes that KKK).

For all intents and purposes, Irene Adler is an ordinary woman, trying to do an ordinary thing (get married to Some Guy), who just so happens to get one over Sherlock in a case where he is arguably in the wrong. That is what makes her so special. Sherlock believes that his deduction methods can be implemented by anybody, but here's somebody, actually implementing them! And she was trained as an opera singer, not as a detective or some such field! And she's not using it to systematically murder or blackmail or anything else, she just wants to live her best life away from this Bohemian nonsense!

Sherlock is excited when someone outsmarts him. And it is so rare for there to be no horrific crime taking away from that excitement.

In summary: Sherlock Holmes is a perfectly well-mannered English gentleman (the social class, not polite descriptor) with shockingly progressive morals for the 1890s, a need for brain puzzles and adventures, and a non-debilitating addiction to crack cocaine.

Some other notes about original Sherlock before I move on to the next section:

Sherlock indirectly caused someone's death in The Adventure of the Speckled Band, and does not feel at all broken up about it. Honestly? I respect that.

Doyle was not perfect. Irene Adler was smart "for her sex." All of the stories mentioned above contain examples of foreigners importing struggles to England. Violent Americans from Five Orange Pips, armed robberies from Australia in Boscombe Valley, loose(?) Bohemians(???) in A Scandal in Bohemia, a mercenary and violent "doctor" from Calcutta (though English by birth) in Speckled Band, etc. I could go on. And I am sure that he made some claims later proved to be scientifically inaccurate.

Aside from Doyle's biases, the Sherlock Holmes stories are also prone to the same real-world changes as any other famous series. Doyle famously killed off Sherlock only to bring him back due to the public outrage. The many, many short stories vary quite a bit in quality, and a little in consistency. Sometimes you just have to throw your hands up and go with the Doylist (heh) reading. We'll get back to this.

Sherlock would not be caught dead in Buckingham Palace wearing only a bedsheet. He often disguises himself in the short stories, as a grandfatherly figure, faking a Cockney accent, as all a manner of (typically older, and therefore less threatening) men. Part of his strength as a detective is his awareness of social circles and the workings of society. He uses it to his advantage, he doesn't provoke public scandal.

He's a private person. He didn't ask to be famous, or to be memorialized as a genius, and again, he doesn't go around looking for adoration or outrage.

Sherlock scorns romance, yes, but not in an internalized aphobia, "I'm suppressing my emotions/desire for the sake of The Case" kind of way, but in an "I'm the only reasonable person here, the rest of you are just weird" kind of way. We'll get back to that one.

Sherlock did have Moods. He also did drugs. But drugs didn't have the social context of drugs now.

Sherlock was superhumanly strong, for no particular reason? There's one story where someone threatens him (in his own flat, no less!) and he remains very polite and unflustered by it. Once the man leaves, he picks up the metal poker that the man bent and straightens it.

Honestly the disguises and the hand-to-hand combat made original Sherlock so OP. I'm not projecting modern values onto old characters, you are. Send Tweet.

Doyle was a spiritualist?!?!?! Like a committed believer in ghosts. Like so committed it ruined his friendship with Houdini. Yes, Harry Houdini. This is not relevant, I'm just impressed that an author so spiritual could write a character so famously and firmly rational.

Okay that's the important bits for original Sherlock. I could easily double the length of that section, but I hope it's clear enough now why I consider original Sherlock to be Very Cool and Interesting.

Part II: BBC Sherlock

Boy oh boy oh boy oh boy. Where to start with this one. Well, here's hbomberguy's 2-hour video essay on why BBC Sherlock is trash, to start. It's been a long time since I watched it but I recall it focusing more on its creator, Steven Moffat (and what that man did to Doctor Who as well, God sometimes I just lay awake thinking about every precious thing Moffat was allowed to put his slimy hands on). So I will attempt to focus on a few key things I don't remember hearing in that video essay.

First: The Trope of the Autistic Genius. I'm sure you (general audience) have seen this in some form of media: a socially awkward or unaware character, perhaps outright on the autism spectrum, perhaps just Weird™ who is a genius in a particular field. It's related to the Idiot Savant trope, thanks TV tropes, and portrayals range from a cute fictional romance with an autistic lawyer in Extraordinary Attorney Woo to the somewhat real-to-life story of John Nash, a real mathematician who made incredible contributions to the field of economics and also had incredibly difficult personal relationships due to his schizophrenia.

For some reason, Moffat decided to use this trope for Sherlock Holmes. I say "some reason" but it's pretty clear why: Sherlock is a genius. And there's a long tradition of "genius as a curse" characters where their intelligence comes at a cost: their ease of relationships with other people. Sometimes this is an explicit curse where the character traded power/intelligence/money etc. for the ability to feel (romantic) love (see: Howl's Moving Castle the movie). For the autistic genius, usually the price of their ability to grasp concepts (usually math or some type of science) beyond the understanding of Mere Mortals is their ability to understand people and social cues.

The thing is, the way Moffat does this with Sherlock makes no damn sense. He's a detective. His whole ass job is to understand social cues, human behavior, motivations and generally what makes people tick. There's probably a good way to make Sherlock autistic. However, the way Moffat does it creates this inherent contradiction, where Sherlock swings wildly from totally missing social cues to perfectly understanding people's desire and motivations. Make it make sense. Make up your mind. Is your Sherlock a tortured genius who cannot understand or relate to normal Molly Hooper, or is he a brilliant detective who Gets how people work? You (Moffat) can't have it both ways. It doesn't make any sense.

Second: the Reading People as Superpower thing. Moffat fully subscribes to the idea that you (general) can just look at somebody and deduce their whole backstory. This one pisses me off personally because it leaks to real life all the damn time. The phone charger is probably the most infamous example of why this doesn't work. (Fun fact, if the area around your phone charger is scratched from you repeatedly failing to plug it in, that doesn't mean you are an alcoholic!)

But it occurs both in BBC Sherlock and IRL. Usually IRL people are nice enough to only say out loud something that they think is positive. But here's the thing: they're almost never right. I've had nice little old ladies tell me "I can see that you are XYZ type of person" in the most well-meaning of ways and be completely off the mark. Not a single person who has guessed my race (out loud) has gotten it right. But I'm not just saying "don't make assumptions for the big things like race/sexuality/religion etc." I'm saying, we all make those assumptions when we first meet someone, whether we like it or not. But we have a choice whether to act on those assumptions. Reading people is not a fun thing smart people do in media, it's a common thing all of us do despite not having a higher chance of being correct than Moffat was with the phone charger thing.

The "you can read into anything because there's secret meanings behind everything" that BBC Sherlock encouraged led to one of the funniest and most pathetic phenomena in fandom: The Secret Good Sherlock finale. There's a good 1.5 hour video essay about it and how a portion of BBC Sherlock fans deluded themselves into thinking that the horrible, horrible ending of BBC Sherlock couldn't be real, and that there was a real finale coming if you just followed the clues where Johnlock was canon (more on that later). Because they just couldn't accept that this show which portrayed itself as so clever and Moffat as a 4D chess-master always fifteen steps ahead, was just Not Good.

(Side note: I missed all of the BBC Sherlock fandom experience despite watching the show, because I watched the show with my family. We all knew Doyle, you see; my father read those stories to my siblings and I as bedtime stories when I was little. I still remember his reading cadence and the character voices that he did. So when we heard about BBC Sherlock, we thought "hey, we know that guy!" and settled in to watch it as a family. I distinctly remember thinking that it was…fine? Like, just okay. But nothing about it was better than the original, and I would how much worse it was years later).

Third: Sherlock is just weirdly mean? All the time? In BBC Sherlock. I can only assume this is some sort of power trip fantasy, where the author self-insert (we'll come back to that) Sherlock is the most perfect boy who is always right and correct and so much smarter than everyone else that he just doesn't have to put up with their stupidity.

Like many of the gripes I have with BBC Sherlock, what I hate the most is how Moffat's portrayal seems to have influenced the general public's perception of who Sherlock is. Would this type of Victorian Sherlock exist without the type of arrogant monologuing that Moffat favored? I mean, maybe. I can't prove it. I just feel like they're related. (To be clear, I like Sherlock in that scene. I just think it's inconsistent with original Sherlock's interactions with the police, but to be fair, original Sherlock didn't have a little sister in jail for murder).

Fourth, IRENE ADLER MY BELOVED I WILL AVENGE YOU ONE DAY I SWEAR.

So Steven Moffat cannot for the life of him write a female character I'd feel bad for him if it wasn't so painful to watch in Doctor Who, Sherlock, and basically everything else he's ever done. Moffat, like many adaptors of Sherlock, was dead-set on making Irene Adler a femme fatale. She's not only a criminal, she's also sexy and very weirdly interested in Sherlock (again, the author self-insert strikes again. All the women must be interested in me I mean my most perfect boy!)

I am far from the only person who noticed this. Here's a Reddit post which calls Irene Adler out for basically sexually harassing BBC Sherlock throughout that episode. I don't disagree with the substance but I disagree with the reading. That post takes a Watsonian approach: Irene Adler repeatedly expresses sexual interest in Sherlock, who does not reciprocate. Despite this, the characters around him assume he reciprocates and at the end of the episode his brother Mycroft blames his nonexistent/unconfirmed interest in Irene Adler as the reason why she got one over him. When he does his dramatic "I am Sherlocked" reveal, he is saying 1) that he's really not interested, 2) that she didn't get one over him, and 3) that her emotional/sexual investment(?) in him is why she lost.

Here's the Doylist reading: Moffat's fantasy is the sexiest/coolest woman (Irene Adler) chasing after his author self-insert (Sherlock) who remains coolly aloof despite her advances, because he's cool. Everyone else's assertions that he's secretly interested stems from society's need to smash two dolls together and say "now kith" regardless of what the dolls in question are saying. At the end of the episode Sherlock makes the points that I made above, yes, but Moffat's also reaffirming that no one is allowed to outsmart his most special, most perfect boy (/self-insert), not even the character that CANONICALLY OUTSMARTED HIM. (Although to reiterate: original Irene Adler was not a criminal, did not blackmail anyone, and was not interested in Sherlock. Also she was American lmao).

There's one key scene (which I loathe with all my heart) that demonstrates how Moffat sees Irene Adler, and that's her introduction scene. Why? Because she walks in naked. Why? Because that way Sherlock cAn'T rEaD hEr. (Which brings us back to point #2, Reading People as Superpower).

This is mind-bogglingly, mind-bafflingly stupid. If Irene Adler really wanted Sherlock to """"not be able to read her"""" she should've just stolen the clothes of the first woman she saw that was her size. Or men's clothes, not her size, and not hers. That way any traces of character left on the clothes (i.e. coffee stains, hems worn down from constant worrying, cat fur, etc.) would've belonged to someone else, thus throwing Sherlock off even more.

And it's not like the body lacks marks unique to the person. Jesus Christ. Surgeries leave scars, as do accidents and injuries. Birthmarks, bite marks, stretch marks, scar marks, people drawing reminders or hearts on themselves with sharpies, tattoos, the list goes on and on and on and on and on. Bodies are not blank canvases.

There is no good Watsonian reading for why Irene Adler walks in naked. There is only a Doylist reading: Moffat thought it'd be hot for his femme fatale to meet his self-insert butt-ass naked. That is why I disagree with the Reddit post I linked which I assume you (general audience) read. Irene Adler's actions don't make sense when framed as "she's smart but obsessed with Sherlock despite never having met him before." I mean, it's possible? But it makes her far less intelligent from the very start than the show tells you she is. Her actions only make sense when framed as "Moffat thought it would be hot." (Dear Moffat: it's not).

Fifth, and finally: The Big Bad. This is not Moffat-specific: the need to have one main villain, to have everything in a series building to the big showdown with the Big Bad exists all over the place. Episodes are getting longer and longer while seasons get shorter and shorter. Sherlock, originally a series of short stories (with some long-form stories, my favorites <3 thrown in the mix), is perfect for the 30-45 minute 12-16 episode seasons. Instead it got…BBC Sherlock. With Moriarty as The Big Bad. Who Irene Adler is working for? For some reason? And has come back to life maybe? It's dumb. Bring back my case-of-the-week type stories :(

There are plenty more gripes I could list about BBC Sherlock, but those are the main ones. This is already getting much longer than I intended, so onto part three: my thoughts on Johnlock.

Part III: Do I ship Johnlock?

No.

Part IV: Just kidding!

Well, I don't not ship them. A friend asked me recently if I shipped them, and I thought about it for a minute and eventually said: "Honestly? I am so thoroughly neutral about them."

You could convince me of Johnlock. However, I remain unconvinced by the vast majority, if not all, of BBC Johnlock. It essentially feels like a derivative form of a derivative and vastly inferior form of the real Sherlock Holmes and John Watson. Basically: the Johnlock that you (general BBC Johnlock shipper) are a fan of are just two people who happen to share names with the characters I know as the great detective Sherlock Holmes and the good doctor John Watson. But they're not actually Holmes and Watson, thus what you're shipping isn't even "real" Johnlock.

There are two parts of Johnlock's dynamic that I think are missing from the broader conversation (which is not to say that they're not talked about, just that they should be talked about more).

First, we're back to Watsonian vs Doylist readings, this time with the origin of the term in mind! (My literary analyst heart cackles in delight). You see, the Doylist reason for Watson's existence is to chronicle Sherlock's adventures. Genius characters are near-impossible to write from their perspective. The mystery and ingenuity vastly improves when explained by Sherlock to Watson after the fact. We, the audience, need John Watson to exist for the stories to be enjoyable. He is a plot device.

Now, I'm not saying that because John Watson exists for plot purposes, we can't consider the emotional connection between him and his flatmate. The Watsonian reading, according to Johnlock shippers, is that Sherlock and John live together because they are gayandinlove.

Which brings me to part two of their dynamic: the QPR-ness of it all. I think there's a lack of conversation about anything between "straight" and "gayandinlove" when there's so much gray area to discuss. Johnlock, in both the original and in my preferred version, strike me as a very comfortable queer-platonic relationship. It feels wrong for Sherlock to have a wife, husband, boyfriend, lover, etc. because it is so contradictory to who Sherlock is. I just can't picture him engaging in any modern or Victorian-era dating or courtship ritual. And not just because he explicitly derides and expresses his lack of interest in romance in the originals. After all, it's impossible to separate Sherlock's bachelorhood from the part where it was obviously impossible for him to marry a man in the 1890s; the institution of marriage simply didn't mean then what it does now. He certainly never and would never speak about sex, or his sexual preferences. I am sure they were assumed to be Good And Heterosexual. Which isn't to say that Victorian times were less queer than modern times. Doyle's contemporary, the Irish poet Oscar Wilde (1854-1900) was very famously (/infamously) gay. The author Rudyard Kipling (1865-1936) is also rumored to have cheated on his wife with her brother/his publisher.

No, I've always seen Sherlock as aroace just because…he comes across as very aroace? I don't know how to explain it other than "read it and tell me I'm wrong." And Johnlock always came across as very comfortable to me. Like there was a total lack of yearning. Don't get me wrong, I totally understand projecting into characters, so if you (general Johnlock shipper) add yearning to your Johnlock I'm not criticizing you. (And no, I'm not getting into Mary Morstan and her differing characterizations because then we'd really be here all day).

I also don't subscribe to the idea that Sherlock is aromantic because of his genius, his detective career, or his suppression of natural instincts in favor of the aforementioned reasons. It's aphobic and it's not how Sherlock works. The man is not judging himself for his lack of interest, he's judging you (aphobe) for thinking there's some deeper cause or something wrong with him for not being interested in romance.

And I can't fathom him engaging in sex except as an intellectual exercise. ¯\_(ツ)_/¯

I always thought BBC Sherlock was so weird about the concept of being gay. I mean, there were gay jokes galore but They Were Not Gay and Moriarty was gay-coded but John was definitely not into Sherlock and Sherlock was not gay but he wasn't into Irene Adler either, but that didn't make him asexual either, just…a genius?? Apparently??? Like he's straight but he's also too smart to be fooled by Irene Adler's wily wily feminine wiles. Like Straight 2.0 where they make you pay more for the same product with ads this time.

Which finally brings me to the last section: comparing original Sherlock and BBC Sherlock!

Part IV: We all know where this is going

Honestly most of this section has written itself already.

Original Sherlock Holmes was remarkably progressive for its times; BBC Sherlock was somehow less progressive despite being made centuries later. Its portrayal of women was somehow worse than the thing written in the 1890s. I'm a big believer in judging things with historical and social context in mind, which makes original Sherlock all the more astounding, and BBC Sherlock all the more regressive.

Original Sherlock Holmes was an excitable bloodhound who believed in his rational method and was genuinely delighted when he met his match. He was irritable and moody and indirectly killed a man with no remorse. BBC Sherlock is an arrogant, self-obsessed jerk who constantly belittled and mocked the intelligence and achievements of others. He, despite not understanding people, popularized the "you wear that sweater to remind you of your dead mother. You feel lost without her and are seeking a substitute in Macys Mother's Day line products" type of armchair psychoanalysis.

Original Sherlock loves a good case but sees his clients as human, at the end of the day. BBC Sherlock cannot stand to be wrong.

Original Sherlock and John are companions, comfortably; not normal/regular friends, though I would never say "more" than friends. Maybe, in a modern era, they'd be romantic partners of some sort, maybe not; I don't really care. BBC Sherlock and John are…friends but you gotta believe Moffat when he tells you that they are Definitely Not Gay. Like Not At All. Not Even A Little.

In conclusion: I loathe BBC Sherlock with all my heart. It is an insult to the legacy of Sherlock Holmes. A regression in the face of how radical Arthur Conan Doyle was. i genuinely feel sorry for all the people who have watched that show but never read the originals because they have no idea who Sherlock is, and original Sherlock is so damn cool.

#ask #sherlock holmes #bbc sherlock #sherlock fandom #arthur conan doyle #apologies this has not been proofread at all #essay #This is probably not what you (indigotigress7) expected as an answer #Context for you (general reader) is that I posted an Enola Holmes fic two days ago and whined about BBC Sherlock in the author's notes #i hope this is coherent but i know in my soul it is not

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